Skip to main content

MARS-1

MARS-1 (aka Mario Martinez) is a left-handed artist who spends most of his time in the right side of his brain, communicating through a visual language. His unique imagery explores possibilities of otherworldly existence through highly developed, multi-layered landscapes. Often employing a fuzzy-logic aesthetic, Mars-1’s artwork has a sentient appearance, like a tulpa—which in mysticism, is the concept of a materialized thought that manifests into physical form. His unique style has been described as urban-Gothic, sci-fi abstracted, quasi-organic form.

Early inspirations include: graffiti, animation, comic book characters, ufology, extraterrestrials, unexplored life, mysteries of the universe, alternate realities and the abstract quality of existence. At the age of 13, Mars-1 began writing graffiti in his hometown of Fresno. He later attended Academy of Art in San Francisco, where he currently lives and works, remaining heavily active in the city’s contemporary art scene.

The true meaning of Mars-1’s imagery is ultimately left to the viewer’s interpretation. The artist feels this brings his creations full-circle, encouraging his audience not only to decipher the messages he wishes to convey but to receive thoughts and ideas of their own, as wel

Comments

SUPER BIEN!!!!. I LIKE IT.

VISITA mi blog:


http://wilpozo.blogspot.com


"ONIRICOSIS"

Popular posts from this blog

Journal of an Airman

I. three signs of an airman: practical jokes nervousness before taking off rapid healing after injury three kinds of enemy walk: the grandious stunt the melancholic stagger the paranoic sidle three kinds of enemy bearing: the condor's stoop the toad's stupor the robin's stance three kinds of enemy face: the fucked hen the favorite puss the stone-in-the-rain three terms of enemy speech: I mean quite frankly speaking as a scientist etcetera three enemy questions: am I boring you? could you tell me the time? are you sure you're fit enough? three results of an enemy victory: impotence cancer paralysis three counterattacks complete mastery of the air lastly but ten it's moving again lastly but nine I forgot the sign lastly but eight it's getting late lastly but seven why aren't there eleven? lastly but six I dont like its ...tricks the maid is just dribbling tea and I shall not be disturbed until supper...

Ley Lines #1

The concept of "ley lines" is generally thought of in relation to Alfred Watkins, but the stimulus and background for the concept is attributed to the English astronomer Norman Lockyer . [3] [4] [5] On 30 June 1921, Watkins visited Blackwardine in Herefordshire , and went riding a horse near some hills in the vicinity of Bredwardine , when he noted that many of the footpaths there seemed to connect one hilltop to another in a straight line. [6] He was studying a map when he noticed places in alignment. "The whole thing came to me in a flash", he later told his son. [7] It has been suggested that Watkin's experience stemmed from faint memories of an account in September 1870 by William Henry Black given to the British Archaeological Association in Hereford titled Boundaries and Landmarks , in which he speculated that "Monuments exist marking grand geometrical lines which cover the whole of Western Europe". [8] Watkins believed that, in ancie...

Rising Five

"I'm rising five" he said "Not four" and the little coils of hair Un-clicked themselves upon his head. His spectacles, brimful of eyes to stare At me and the meadow, reflected cones of light Above his toffee-buckled cheeks. He'd been alive Fifty-six months or perhaps a week more; Not four But rising five. Around him in the field, the cells of spring Bubbled and doubled; buds unbuttoned; shoot And stem shook out the creases from their frills, And every tree was swilled with green. It was the season after blossoming, Before the forming of the fruit: Not May But rising June. And in the sky The dust dissected the tangential light: Not day But rising night; Not now But rising soon. The new buds push the old leaves from the bough. We drop our youth behind us like a boy Throwing away his toffee-wrappers. We never see the flower, But only the fruit in the flower; never the fruit, But only the rot in the fruit. We look for the marriage bed...