Skip to main content

Red, Part Two - 5000 Degrees East

South through the Lake District, the landscape scattered with strange angular Red structures. The dull green grass on the soft hills was covered with these bright red things, collapsed geodetic spires topped with shattered domes. They looked like failed schematics for crimson mushrooms.Somewhere out on the endless prairies of North America was the successful version. A skyhook fifty miles square at the base, topped off at 23,000 high by something that looked suspiciously like a giant starship.
No-one went anywhere near the thing. Red seemed to have plans there and they might involve us.
We sat drinking whisky in our compartment watching the view. Somewhere around Lancaster Giles and I lit up Cuban cigars ("rolled on the thighs of nubile young puppets," joked Giles) and resumed our argument.
"So you think we can't trust the puppets with anything more complex that food preparation and street sweeping?"
I looked around the wood panelled room. As so often in this kind of place the dim light, the gentle glow from the furniture, the hypnotic flicker of the open fire all combined to produce the kind of comfort conducive to making decisions for others.
On the wall, among the trophies and certificates, was a print of the Origin Point, Red Ground Zero.
An ugly street in Kenner, Louisiaina with a bar and a gas station on one side, two blurred hotels on the other. A crack in the street pouring out a crimson liquid.
"Alan. have you ever wondered where all the puppets go?"
Hesitatingly I said, "Well, sir, I assume that they're working for us. And many must maintain the bits of civilisation we aren't currently using."
"Many do exactly that of course. But think about it. Ever seen them breed? A mature puppet can produce fifteen progeny every six months. Most do. So where do they go?"
"Honestly, I don't know"
"They go East, Alan. In ever increasing numbers."
He pointed at the map.
"By now we should have expanded out to at least 5000 degrees east. We're stuck, however."

Comments

Popular posts from this blog

Depression

your thoughts – clemmed, treacle slow, laden with seams of pit shaft dark – tread an endless groove, blinkered as a pit prop pony moithered by light your mind – dimmed, dunnock shy, cradled with songs of wind swept moors – dreams a fearless path clinkered as a wind squall diamond mantled with night your self – numbed, fossil still, layered with seals of sun starved gold – furls a nubless cloth crinkled as a sun coaxed rock rose ambered in time. by Helen Overell

Ley Lines #1

The concept of "ley lines" is generally thought of in relation to Alfred Watkins, but the stimulus and background for the concept is attributed to the English astronomer Norman Lockyer . [3] [4] [5] On 30 June 1921, Watkins visited Blackwardine in Herefordshire , and went riding a horse near some hills in the vicinity of Bredwardine , when he noted that many of the footpaths there seemed to connect one hilltop to another in a straight line. [6] He was studying a map when he noticed places in alignment. "The whole thing came to me in a flash", he later told his son. [7] It has been suggested that Watkin's experience stemmed from faint memories of an account in September 1870 by William Henry Black given to the British Archaeological Association in Hereford titled Boundaries and Landmarks , in which he speculated that "Monuments exist marking grand geometrical lines which cover the whole of Western Europe". [8] Watkins believed that, in ancie

Extinct Promotion

My story "Connect" was published last year in the anthology "Extinct Doesn't Mean Forever," edited by the formidable Phoenix Sullivan. On Tuesday, January 31, you can download the entire anthology Extinct Doesn't Mean Forever free from the Kindle store.  On both Tuesday and Wednesday, you can download each of the 18 single stories for free, including my story, Connect . By any reasonable measure we are dead. Unity -- slow, cold and broken -- is leaving me behind. It’s a slowly boiling mass of speckled gray now. I’m walking away from it, building, understanding, memorizing as I go. And to do these things, to tie them together, I use my memories. Of being alive, of dying, of being dead. Other authors in the anthology are participating in this promotion: Chrystalla Thoma: "The Angel Genome"  Peter Dudley: "Distractions" Shona Snowden: "Blood Fruit"  Scott Thomas Smith: "In Ring" Jo Antareau: "My Own